Alu Series

Alu Series

INTRODUCTION

A series of limited-edition objects using surplus aluminium from one of our interior design projects as a means of avoiding construction waste. Exploring various scales to maximise usage and minimal interventions to reduce production time, cost and energy.

Year

2025

Location

Edinburgh, UK

Scope of work

/

Object & Furniture Design

Client

N/A

INTRODUCTION

A series of limited-edition objects using surplus aluminium from one of our interior design projects as a means of avoiding construction waste. Exploring various scales to maximise usage and minimal interventions to reduce production time, cost and energy.

Year

2025

Location

Edinburgh, UK

Scope of work

/

Object & Furniture Design

Client

N/A

Woman in black sunglasses assembling aluminium chair within rural autumnal landscape
Aluminium side table holding a stack of books, beside an antique mid-century modern chair, on top of a seagrass rug

CHALLENGES

CHALLENGES

We challenged ourselves to think beyond the primary role of renovation by designing and manufacturing a collection of objects that would utilise all remaining corners of redundant aluminium sheet material.

Responding to the realities of construction and fabrication allows us to offer unique, narrative-based pieces with longevity. The idea is we’re eliminating waste and so the pieces we create need to last the years in order for this to stand true.

Product image of aluminium chair against black backdrop
Product image of aluminium insense holder with insense sticks against black backdrop
Product image of aluminium insense holder stood up on it's side against black backdrop
Product image of aluminium side tables with bang and olufsen speakers sat on top, against black backdrop

THE THREE PIECES

THE THREE PIECES

Two chairs, six side tables and twenty five incense holders. That’s it. That’s all we could get out of the surplus sheet material and no more to be made. Each sanded, finished and sealed by hand.

Two chairs, six side tables and twenty five incense holders. That’s it. That’s all we could get out of the surplus sheet material and no more to be made. Each sanded, finished and sealed by hand.

Designed for everyday use, not to be heirlooms or special occassion pieces, but objects used for the joy of it.

process of sansing aluminium with person holding orbital sander in courtyard setting
fast moving images flicking between different process images and behind the scenes shots

PRODUCT DETAILS

PRODUCT DETAILS

Limiting the production requirements by using symmetry of design, rivets to avoid welding for the chairs and two equal bends to form the side tables. These pieces are simple in design, and more importantly prove that waste has value.

Limiting the production requirements by using symmetry of design, rivets to avoid welding for the chairs and two equal bends to form the side tables. These pieces are simple in design, and more importantly prove that waste has value.

All pieces were sold via our website and you can keep in touch on any future objects and furniture pieces by signing up to our newsletter below.

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Let's talk about what you're building.

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What happens next

Tell me a little about the project below and pick a time that suits. I'll read what you've sent before we speak, so we can start with your place rather than introductions. If Programm Works isn't the right fit, I'll say so, and point you somewhere that is.

early is good

The best time to talk is before anything's been drawn. If you're still a year out, get in touch anyway. Some of the most useful conversations happen when there's nothing on paper yet.

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Building something new?

By submitting, you agree to our Terms and Privacy Policy.

Let's talk about what you're building.

Twenty-five minutes. Bring the idea, the site, or simply the feeling you're after.
Nothing to prepare.

What happens next

Tell me a little about the project below and pick a time that suits. I'll read what you've sent before we speak, so we can start with your place rather than introductions. If Programm Works isn't the right fit, I'll say so, and point you somewhere that is.

early is good

The best time to talk is before anything's been drawn. If you're still a year out, get in touch anyway. Some of the most useful conversations happen when there's nothing on paper yet.

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